The Marvel masthead is a piece of furniture with weight. On a printed comic it has decades of spacing rules. On an NFT wrap the title is often scaled like a sticker until it parks on a collarbone or swallows a skyline.
Stacked logos are the current habit. They look bold in a square crop and leave the figure with no headroom. If the character’s eyeline is under the second line of the title, the cover has already lost a fight.
Sound-effect type on the same wrap makes it worse. A crash burst next to a house masthead is two captions arguing. Print covers sometimes got away with that because the trade dress was smaller. Digital files rarely do.
When we mark a masthead collision in a review, we mean a physical overlap with anatomy or architecture, not a taste complaint about fonts.